Camryn- McCoy Chapter 3

 This chapter had a lot to discuss! It talked about the physical structures of Respiratory Anatomy (bones, muscles, organs, etc.), and the different breathing techniques that singers use. I found it really interesting that the Spine was listed as the first important structure of the respiratory framework. I didn't understand it at first, but I realized the form/placement of the spine affects our breathing in so many ways. If our spine is collapsed, or not in its natural s-shaped curve, we won't be able to have enough air support as we sing. I remember one voice lesson when my voice teacher told me to lean against the wall, slightly bend my knees, and place my feet forward in front of my body. We then sang the excerpt of my piece again in this position, and I could feel a huge difference. My body had a greater foundation in the lower section, and my ribcage expanded so that I had more breath support. I was very happy to read this exercise in the textbook, confirming to me that what I had worked on was helping my voice become stronger. Including this, I loved how the author stated that support is variable, and that "it must be appropriate to the vocal demands presented by the specific music that is sung". Classically trained-singers will have different breath techniques than someone who is trained in musical theatre. This also includes jazz, hip-hop, pop, etc. Each singer's breath techniques can be different based off of their repertoire and vocal training. 

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