Dombroski-McCoy-Ch. 1

I actually think I've read this book, if I remember right this was the book we used in the last vocal pedagogy class I took a few years ago. So this has been really fun to read again after already going through it once. I thought it was interesting that McCoy says that what seems "free" can be subjective depending on the subject. I would like to learn more about that, because I thought that free singing feels and sounds easy and I would say that many contemporary singers are not as free as they could be, but it seems like he argues that to someone else they would disagree depending on the type of singing. That would be interesting to study. 

I like McCoy's definition of chiaroscuro, and the idea that balance is bright and dark, loft and twang, and forward and back. I also had an epiphany about nasality, when the soft palate is not raised it can create nasality in the sound. When singing a song in French, I had a teacher that always said "think nasal but don't actually make it nasal" when the note is high. I wonder if this is the reason why. 

Overall I really enjoyed this chapter. There is a lot of information based on the physicality behind singing which I think is important to know if we are going to be teaching!

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