Doyle-McCoy ch. 3

 This chapter certainly threw a lot of anatomy talk at us, much of which kind of went over my head. Frankly I did not understand why any of the information was relevant until the section about application. Some of my prior assumptions about breath support were corrected. For example, I recall a masterclass that Venicia gave once, and she talked about breath support. She described that belly breathing was not the ideal way to breathe when singing, so I had to unlearn that. In that class she also taught how to do a balanced breath, but I think I extrapolated her explanation a little to far, so as to assume that the diaphragm was supposed to flex outward and expand the ribcage. Knowing what I do know about all the muscles that provide antagonistic pressure against one another clarifies the efficiency of "appoggio" breathing.

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