Karin- McCoy- Ch 5

 I will admit, I am very confused about the information in this chapter. What exactly is a formant? Is it certain positions that our body makes to form different vowels? I don't know If I quite understand how they work and their relationship to vowels. I understood the example question given about which harmonic would be the more amplified when singing C4 on the vowel e, but what about the vowel u on C4? the next closest harmonic in the series is C5 which does not align with either u in F1 or u in F2, is this where vowel modification comes into play? 

I understand that vowels need to be modified so that the harmonic series can be heard, and the right pitches amplified, that part made sense to me. It finally explained why using certain vowels at certain ranges don't ring the same as others, and we want to keep that sound consistent. I also understand the difference between "singing for yourself" and "singing for others". Heather and I have discussed this in length, and I need to make sure that sometimes at the expense of sounding good to myself, I need to make sure that the overtones are being heard by the audience. 

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