Karin- VRH/Lesson 9/21

 In my lesson this week we learned about switching between operatic singing and legit singing in my contemporary art songs. I was worried that my lower notes would not be heard when I was singing specifically "The Usherette's Blues" and I wanted to know how to get those low notes as resonate as well as the higher ones. Heather told me that in art songs, although we are trying to stay in a classical style, they allow for a more legit sound in the lower range. We practiced switching, and also experimented with some different colors in the sound to accent to comedic nature of my songs. 

In VRH, I fell in love with Maiya Lloyd's performance. She had very good resonance and richness in her sound that was carried even into her higher notes. Her sound was not swallowed, vibrant, not nasal, and more dark than bright. In addition to her lovely sound, the emotion she was able to put into her performance was captivating. I was drawn into the story and the emotion of the piece despite not knowing what she was saying as the piece was in Russian. Overall, an amazing performance. 

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