Tougas-McCoy-Ch. 2

 This chapter really centralizes on the anatomy of the body and how this helps to create specific sounds or breathe control, or even just actions that we produce as we perform. I have always been fascinated by this part of singing because I have a hard time reminding placement once I am out my lessons. Knowing that the specific way I turn my head, use a muscle, or create connections between my breath and the larynx makes me wonder if I should be taking video recordings of my lessons instead of just audio recordings. 

Laurie always tells us to exercise and I always thought it was just because it was healthy for you, which it is. However, through this chapter, I realized it engages core muscles that believe it or not, we do in fact use when we sing! Although, it does make me wonder if the gym is necessarily the best kind of work-out we could be participating in. McCoy mentions how the primary muscles used for singing are skeletal muscles and the parallel between muscles that must be discovered and ones that we already use indirectly. When looking into it more, I found that it is doing more sustained exercises over long periods of time. So the slower the rep, the better. This is true for not only athletes but musicians and why? Because we all perform. Every muscle is as important for us as it is for the USU quarterback every Saturday night. 

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