Karin- VRH/Lesson- 10/19

 In my lesson this week we talked about resonance in nasal French sounds. I really struggled to keep my resonance after singing nasal sounds in my French songs. We talked about still letting it spin in our nose, so we don't lose that vibrancy when we sing those nasal vowels. I also got to rehearse with my accompanist for the first time during my lesson, and we noticed I tended to pull back on my sound when someone new was introduced to the rehearsal space. We worked on not letting my sound fall back, and having confidence in myself when new people are introduced to the rehearsal. 

In Vocal Recital Hour this week I observed Emma Joy Diesen. She said she was unsure of her song choice that day, but I think it sounded great in her voice. She had a clear sound especially in her lower register and switched nicely between registers. She used her formants well in her lower register, I could hear that ringing quality in her sound. There was good thyroid arytenoid engagement which gave her lower notes a powerful brassy quality. She also had a nice speech-like tone that is appropriate for the musical theatre genre. And finally, she had a nice resonance on the i vowel in her upper register. 

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