Webb Voice Lesson Takeaways 11/13/2023

 - high placement with no constrictions

- Larynx shouldn’t move at all the higher the notes get 

- untether pitch from sensation in the throat

Comments

Post a Comment

Popular posts from this blog

Karin- VRH/Lesson 11/16

 This week in Vocal Recital Hour I observed Aimee Newson sing “Run Away to Mars.” She had a beautiful balance of chiaroscuro throughout the whole piece. Her tone was generally richer and darker than brighter. She is a music therapy major and has a strong therapy doc presence about her. She had a great emotional connection to the music and was wonderful at sharing those emotions with the audience. And she had a clear tone that did not include a lot of breathiness.  In my lesson this week we talked about connecting to the music emotionally, especially on the pieces that are not in English. I have been having a hard time connecting to the music and part of the problem was that I need to really memorize the English translation to know what I am actually saying and communicating. We worked on interpreting the French pieces and the Germain piece and connecting the English translation to the original text and conveying that in my singing. 
Read more

Hatfield - VRH 12/7

  Mallor McAlister - I Have Nothing Whitney Houston -Such a fabulous tone for this song -nice stylistic drops on the end of phrases -gorgeous mix and also the chest voice parts are just so good -lots of passion -a couple strained notes but overall really nailing it -words are really understandable -stylistic runs and vibrato choices were great -kept key changing higher and she kept up with it an slayed -sometimes lost the energy coming down after the highest notes but quickly picked it up again in the next phrase
Read more

Camryn-Voice Lessons + VHR 10/12/23

 This week, my voice teacher was out of the state, so I did not have an official voice lesson. On that day however, I practiced for an hour working on my songs. I tried to think about what I've learned so far this semester. When working on my English piece, I made sure to keep my soft palate up, so that my sound would stay strong. Including this, I made sure to "spin" almost immediately when hitting notes so that the pitch didn't fall. By recognizing these challenges, I was able to be aware of them as they were happening, and started the process of changing those habits.  In VRH, I want to focus on Allison Johnston's performance. Immediately starting her piece, she adjusted her posture, and I could hear her take a balanced breath in her body. Each and everyone one of her notes were treated with the same strong air support. The low notes weren't forgotten, and were just as strong as the higher notes. Her diction was beautiful, and very clear. There was no colla...
Read more